![]() It all adds up to an extremely convincing case for the relevance of the Pattern and Decoration movement, which Katz sees not as a divergence from more weighty avant-garde matters, but on the contrary, the key turning point in recent art. The publication accompanying the MOCA show also addresses the role of the curators and critics who supported the movement, including Jane Kaufmann, John Perreault, Jeff Perrone, and particularly Amy Goldin, whose vibrant voice was lost tragically early when she died of cancer in April 1978. It is the most thematically broad and visually intense show of the lot, while MOCA’s “With Pleasure” is arguably the most scholarly. Back in the United States, curator Jenelle Porter’s “Less Is a Bore: Maximalist Art and Design” at the ICA Boston is a spectacular swathe of over-the-topness. A version of “Pattern and Decoration: Ornament as Promise,” co-organized by Esther Boehle at the Ludwig Forum in Aachen and Manuela Ammer at MUMOK in Vienna, will open at Budapest’s Ludwig Museum next month under the title “Pattern and Decoration,” while “Pattern, Crime and Decoration”-curated by Lionel Bovier, Franck Gautherot, and Seungduk Kim-can now be seen at Le Consortium in Dijon after debuting at Mamco, Geneva, in late 2018. In Europe, where P&D was collected early and in depth, two exhibitions are currently on tour. The movement’s key protagonists, a tight circle based in New York and California-Cynthia Carlson, Brad Davis, Valerie Jaudon, Richard Kalina, Joyce Kozloff, Robert Kushner, Kim MacConnel, Tony Robbin, Schapiro, and Robert Zakanitch-are being shown alongside other artists who shared their visual impulses, but not necessarily their intellectual goals. Meanwhile, there have been no fewer than four major exhibitions in 2019, all foregrounding Pattern and Decoration while also opening up to a broader purview. The show juxtaposed works by one of P&D’s founding figures with related examples by younger artists. Rae is also the featured teacher in a series of sewing videos produced by Craft Daily.The deluge began last year with “Surface/Depth: The Decorative After Miriam Schapiro,” curated by art historian Elissa Auther at the Museum of Arts and Design in New York. Get a Better Fit: Tailoring & Styling for Pants, Skirts, Jackets & Coats.Get a Better Fit: Tailoring & Styling for Tops, Dresses, Special Occasion & Vintage. ![]() Each course is a multi-video series on tailoring and restyling your favorite garments. Get more information and purchase the classes here: Watch Rae’s teaching videos on BurdaStyle Academy. ![]() Four Seasons of Jackets from One Pattern.Pocket Variations for the TRJ and beyond.Swing Variations for the Tabula Rasa Jacket.Sleeve and Cuff Variations for the Tabula Rasa Jacket.Band Variations for the Tabula Rasa Jacket.Trunk Shows Featuring Our Digital Patterns Transferring Darts and Waistline to a Paper Pattern.Identifying the Best Size for Your Body.Moving Between Sizes on the Sleeveless SideĬommon Fitting Adjustments for the Tabula Rasa JacketĬommon Fitting Adjustments for the Tabula Rasa Knit Tee and Tunic.Removing Excess in the Front Armhole: Dart Rotation Part 2.Darting the Underarm of the Sleeveless Armhole.Adding Width to the Sleeve for a Full Upper Arm.Adding Bust Width and Scooping the Armhole.Strategic Sewing and Fitting QuestionnaireĬommon Fitting Adjustments for the Carpe Diem Dress & Tunic.
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